《Lizzy Langdale and the Unassigneds》It's the dull thrill of the chase
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Chapter 36 - It’s the dull thrill of the chase
The sergeant is still focused on keeping time still, Nico has no orders from him other than to get us home - or at least to the mainland. He’s 8, and he’s flying 40 people over open water with no directions to go for other than “straightforward”. Even with an alternate route, Joseph would track us down easily.
“Who’s Joseph?” mother asks. Finally, there’s an upside to having a mother who reads minds.
“School police,” Brody answers uncertainly.
“Yes dear, I read minds. My husband controls time, but you’ve figured that out already.”
“And she has mind control,” he indicates towards Marie. “He can fly, obviously,” he nods towards Nico. “And he breathes fire,” he looks at Andy. “What about him?” Mother lets him speak out loud to be polite.
“Criss has super hearing,” she explains. I suppose that is the gift most difficult to guess based on observation. He looks around at all of us, taking in the Langdale family in all our prison breaking glory.
“Hale is at home, he’s telekinetic like Lizzy.”
“I can set the table without moving,” I bud in. “He can make the forks dance and the knives fight. But family trees are hardly the most important thing right now, who was the voice at the school?”
“Head Timer,” Howard answers. “Your father froze everyone’s sense of time in a single instant, but Timers have a different sense of time than the rest of us, she expanded that instant, made it longer so to speak. We couldn’t see her because she was too fast - she moved from her classroom on the 4th floor to the grounds in an instant. We could only hear her because your father didn’t actually stop time, just people’s sense of time, sound waves aren’t people, and she released her hold on time as soon as she’d spoken the words.Her voice sounded odd because it’d been slowed down and then sped up again to fit our sense of time.”
“And she’s coming after us,” mother reads.
“Not right away. I don’t think she could break the sergeant’s hold, even if she used every ounce of strength she has. Even if she could, there’s no way she could take on all of us, or that she’d even risk coming so close to 30 uncontained Unassigneds. She’ll wait till time starts moving on its own again, and then she’ll alert the others. They’ll come after us fully equipped and prepared for war.”
“And this Joseph guy can track us.”
“Easily.”
“How do you suggest we do that?” mother asks Brody.
“It takes some getting used to,” I tell him. “What were you thinking?”
“Nothing, it was just a thought.” His annoyance is rising. He’s out of the basement again, and bad as it might have been there, he wasn’t a freak there, it was his comfort zone.
“He was thinking about hiding. It’s a good idea, we can’t stand and fight with all these children here. You seem to have done it a lot before, how did you do it?” He studies his fingernails instead, clearly unhappy to have his thoughts shared against his will.
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“He hid in plain sight,” I tell her. “At the school it was easy, just stay where there’s a crowd, and Joseph won’t be able to tell which student is which. I don’t see how we can do that here.”
“No, I suppose not. And regular people won’t do? Yes, yes I suppose that does complicate things. I suspect our best bet is the family, they can set up shelter for us. They won’t be happy though. This would have been a lot easier if we’d known we’d have extra passengers.”
“As if you’d have agreed to do it,” Brody remarks under his breath.
“They won’t stand for it, showing up with all these outsiders…” uncle Howard states instead.
“You always had a stricter view on them, Howard, they really aren’t as bad as you make them out to be, they will want to help.”
“I fell in love and got a lecture on secrecy and was cast out, you expect to bring 30 outsiders in front of the family heads and get away with it? You are fooling yourself, dear sister.”
“I can see that you think that. Perhaps bringing them to the family isn’t the best idea, but I don’t think the family would just turn them out, they’re just children after all.”
“We can’t wait, and we can’t just fly around aimlessly,” I bud in.
“We need somewhere big enough for all of us, and somewhere we can easily defend,” Brody sums up.
“That looks lovely dear, where is it?” Normally mother would never share like this without permission, it’s rude and cruel, but given the current situation…
“Nowhere we can use.” The look on her face changes, I can’t quite tell if it’s worry, or anger, or disgust… I look to Brody instead, trying to find a clue there. He refuses to look at me, he just talks to the waves beneath us instead. “My father has money,” he says in shame. “He likes to invest in real estate.” I look to mother, but there are no questions coming from her. She knows. She read it, the abuse, the neglect, the shame… She wasn’t worried or angry with Brody, she was worried about him and disgusted by his father. Uncle Howard retreats a little and keeps his head down. I can only imagine the emotional turmoil he’s reading in mother now, emotions he’s lived with for years, but now has to feel afresh again, not to mention the confused children.
“Anywhere we can use?” I ask Brody.
“I don’t know. He usually prefers high-end buildings, fancy beach houses, not somewhere you can house 30 runaways.” Usually. There is someplace on his mind. I keep my tongue, hoping he’ll go on on his own. “I don’t know if he still has it…” He hesitates.
“You have a place in mind,” Marie buds in. “We’ll just go ask him.” Or tell him, if he doesn’t see things her way.
“Marie!” mother tells her off in a stern, harsh voice. Marie shrinks a little in her air seat and looks at me for an explanation.
“Not now,” I evade.
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“Well, we need somewhere to go.” And towards his dad is the last place Brody would go, anyone in their right minds at the school would assume tracking us there would be a trick, a diversion or something like that.
“I’m sorry dear, I truly am, but it seems like this is the best plan we have.” Brody refuses to look at her.
“We’re nearing the mainland now,” Nico calls back to us. “I need instructions soon.” Mother looks around at our extra passengers.
“Cloaking. We need cloaking. And transportation.” 30 children running around the city in dirty rags would cause attention, and even cloaked moving around this many people would be difficult. “I’ll call Victor and Selma. If we ask them to come to us they might be more willing to help.” I assume she’s talking to herself by now, since the only ones who might know who Victor and Selma are, are the general and Howard, neither of which seem inclined or capable of answering her right now.
“We’ll be in line of sight soon,” Nico warns.
“Brody, full on submarine?” I suggest. He looks quizzically at me for a second, but decides the idea isn’t half bad, and it will give him something to do. He nods. “Hold still Nico,” I request. I reach down and find the bottom of the sea and level myself according to that instead. This is like standing on one leg in the sea, not exactly easy. “Come over here, would you?” He obeys, and Brody parts the waves beneath us and I lower us down. A few of the children gasp as the waves crash together again five feet above our heads, but between Howard and mother, no one panics. I doubt any civilian will see us down here.
“If everyone could be completely quiet please,” mother requests. No one speaks - possibly because most of the children are all looking up at the waters above us in fear. “Requesting an audience with the Langdale Council,” mother says. She repeats it three times as if dialing a phone. I suppose someone like Criss, with enough study in familiarity and a feel for every single family member… it is possible such a person could hear a Langdale call from anywhere in the world. Quite useful. “We request the help of Victor and Selma.” She repeats this three times as well - I suppose reception is not always ideal with long distance calls. “Officials are in pursuit of us, we are about 30 people, most are scared children.” She hesitates, but there are no secrets in the Langdale family, it is too impractical. “They are from the school,” she explains. “There they are called Unassigneds, it means they don’t have control of their abilities yet.” She can barely keep her voice steady. “We could not leave them there, not like that. We need the family’s help, we have a plan, and we will not be bringing anyone in danger. Please. They’re children.” She stops her description for a second before saying “Lizzy and Howard are among us.” She falls silent, not repeating it. Uncle Howard looks at her with a sort of fear I can’t fully understand. Mother shows no sign of receiving a reply, and neither does Criss. We are left in uncertainty.
“He’s got it darling, you can let go,” mother says softly half an hour later. I hadn’t even noticed I’d been edging around the water trying to make sure Brody had it under control. Brody looks up at her, but she simply smiles and strokes the hair out of the sergeant’s face. He’s lying down next to her, exhausted and barely conscious. “Howard and I will keep guard,” she says though I have no idea what she means.
“I mean you just let Brody hold his part, and you let Lizzy keep the balance.Howard and I can keep watch on you, alert you if one is fading or slipping.”
“I suppose that could…”
“Yes dear, I’m not just a pretty face or a stern mother. I can do my part too.” Brody doesn’t even complain that I was checking, doesn’t mention anything about not trusting the Unassigned or thinking he’s useless. Criss smiles and shakes his head at me. Brody looks to me for guidance.
“It’s better than exhausting ourselves trying to double guard.” He accepts my word hesitantly, it always feels better to have your own hands on things, or at least familiar hands whose capability you know and trust. Another hour passes with nothing but balancing the bouble and watching my mother try to be polite and not read Brody too much or too obviously. She clearly finds him interesting though. At one point she lets out a clear gasp and looks directly at him before realizing how rude that was. Her eyes are wide and intense, curious, and alert. It’s not until I catch her sneak a peek at the triplets I realize it wasn’t Brody she was surprised with.
Time passes slowly, steadily. Maybe we should try to wake Trixie up, she might be able to tell us if anyone is coming at all. The longer we sit here, the greater the chances of getting caught are. We might be hidden from prying eyes down here, but Joseph couldn’t have an easier task of finding us if we’d put up a great, big, neon sign pointing straight at us.
“I think Marie’s ‘never’ stunt saved us,” Howard says. “They haven’t gotten past the barrier yet. If we can get help before they do, we have a chance.” A small splash makes me look up, and the surprise almost makes Brody lose his hold. A thin woman in her 30’s is falling through the water as if summoned by Howard's words.
“Selma,” mother says in joy. Selma clearly was not expecting the water or the sight of us. Her face is confused, wide-eyed, shocked - you name it. Brody drains the water from her clothes and hair. She looks around at all of us, submerged in our air bubble submarine.
“Brilliant,” she exclaims.
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- In Serial20 Chapters
Sword System Academia
2/17 NOTICE: I'm putting this on hiatus, possibly permanently. I didn't want to spam with an "update chapter", so hopefully here and in the story blurb will get enough eyeballs. There are a couple reasons for ending SSA for now. 1) I wrote the next chapter but wasn't happy with it. I've been less and less satisfied with SSA's quality the more I thought about it. Part of the reason is... 2) I am seriously thinking about trying to publish some novels to help pay the bills, since I don't have my other source of income anymore. I have never asked for anything from SSA readers, no money, not even a review or rating. SSA is written for fun to amuse myself, primarily, and I would kind of feel bad actually charging someone money for something as unserious as that. I don't think it is good enough to ask anything in return. To use an analogy from music, SSA is more like a jam session with a bunch of friends. You're just chiling and having fun playing some music. I mean, if you are Mozart or even Eminem, your jam session is good enough to sell, but for an amateur beginner like myself, haha, no. If I want to publish something, I feel like I need to go the proper route of practice and rehearsals, which might be more similar to a classical concert performance. With SSA, I work from worldbuilding notes and a loose outline, but what you are essentially getting is the first draft with lots of so-called pantsing. Pushing out a web novel like this also means it is very difficult to go back and improve things without breaking everything else downstream. I wanted to try this "jamming" approach, as it was a good way to teach me about another aspect of writing, but to move forward, I think I need to hone my "classical" techniques, which emphasize rewriting, or at least, revising outlines. 3) While I intend to try to make $$$, my actual current goal is to "get gud". I've spent a lot of time recently trying to understand the self-publishing industry, and I'm pretty sure I can make some money by using short-term strategies with my current amateur skill level. But I've seen too many authors come and go/burnout, and really, the only way that I think I can enjoy writing and still make money on a long-term basis is to become a better writer. And the next step for me, which I haven't done much before, is to spend more time on rewriting and outlines. That is pretty much antithetical to the way SSA is developing. I've always been kind of 20/80 plotting/pantsing, but I want to spend a lot more time outlining before I even start writing. SSA jam sessions don't really fit my goal anymore. If you're curious about what's next, read on... Among other regrets, I regret not finishing SSA. It's the first story I've dropped, but then again, it's the first web novel I've attempted, so I suppose that's not a surprise. I don't think traditional web novel formats suit me that well. The whole SSA story I had loosely planned (beyond a first book or major arc) is way too large as well. Big story = good for neverending webnovel with Patreons, bad for penniless and fickle writer like me. I am currently outlining a complete trilogy to another story in great detail. I want the story to end concisely, and I also want the chance to really spend a lot of time on the full outline to spot pacing problems, character issues, lost themes, and so on. I'll still share this story on RR. What I intend to do is finish book 1, flash-publish the whole thing here for a few weeks, then publish on the big Zon. Repeat for books 2 and 3. The upcoming story will be about crafting heroes. The backdrop is an isekai-like setting, where elves will summon humans to their world as heroes, but the whole hero crafting business is still in its infancy. The elven mage researchers are figuring out how to imbue heroes with power, while the heroes are trying to figure out how to use the powers that they gain. Humans are the best hero templates because they are blank and have no intrinsic magic. Or at least that what the elves thought. The human MC has his own secrets... There will be some similarities with litrpgs, but I would call it more a progression fantasy or gamelit story. For example, the stats are very low, at least initially. Say we have a stat called Str. Going from Str = 1 to Str = 2 is a huge deal. Also, going from Dex = 0 to Dex = 1 is an even bigger deal. I guess you could call it a "low-stat litrpg", haha. Also, the heroes won't be gaining stats simply by killing things or leveling up. You can't increase stats arbitrarily, either. There will be rules to how stats can increase, and how they work with each other. The elven mages will be figuring out these rules in order to craft stronger and stronger heroes. Some inspiration will be from cultivation magic systems, but there won't be overt cultivation, at least for now. A theme I really want to explore is the idea of interactions. That includes things like hero crafter vs hero, tactics vs strategy, skill synergies, racial interactions (dwarves, elves, etc), and son. Yeah, so hero crafting. I'm super excited about this project and venturing into publishing. If you want to check out the upcoming story, you can follow my RR author profile to see when it drops here. Finally... THANK YOU TO EVERYONE! I'm very sorry that SSA is stopping, but I hope at least some of you will find the next story at least as enjoyable, if not more. Thanks to all the readers who gave SSA a shot. Big hug or solid fistbump to all of you, whichever you prefer! I hope this message is not a downer but an upper, because I am psyched!! -purlcray -------------- BLURB: Talen, youngest Master of the Koroi, makes his way to the Empire's capital to salvage his clan's fate. But the bustling city has few opportunities for the traditionalist. For the old sword clans are fading. With the rise of alchemy, gold can purchase strength that ordinarily took years of training to cultivate. Sword artists, once rare and accomplished, are quickly growing in number, especially among the wealthy noble class. Even with such alchemy, though, no one has advanced to the rank of Grandmaster in countless years. Talen's true dream is to walk the path of a sword artist to the very end while fulfilling his clan duties. And then the Swordgeists return, fabled founders of all sword arts, gods who had touched the world long ago and vanished. These myths turned into reality warn of a coming threat. Alongside this warning, they issue an invitation to the Sword System Academy, a path to power beyond the mortal realm. But first, they will hold an entrance exam... Story notes:Sword System Academia blends elements of western and asian fantasy such as xianxia and litrpg. I took parts from different genres I enjoyed and twisted them into my own creation. There will be an explicit system, both of the litrpg kind and the hard(ish) magic kind, but it is embedded within an academic structure that will develop over the course of the story. This is my attempt to design a unique type of system, the System Academia.
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