《Dying for a Cure》Chapter 9, Part 5: Black Magic
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“Yeah, Ferrith said as much, but he never told me what that actually means.”
“That is not surprising. Most rissians do not understand what we do. Heretical, they call it!” She huffed a breath, letting me know what she thought of that. “We simply strive to better understand the rules of the magic our world depends on to function. The church turns their nose up at what we do, but they still travel by Porter like everyone else.”
“Oh?” I said. “So you make stuff like those tree Doorways I used to get here?”
“No. That would be the Construct College. I am a member of the Shaping College. That is why I wear a blue streak in my hair.”
That explained why such an uptight person would put color in her hair at all. “So what does this ‘Shaping’ have to do with me?” I asked. “I mean, you did bring me here so you could study me, right?”
“Only with your consent, Mr. Koutz. You can leave at any time and we will supply you with a ticket through the Porter’s network to anywhere you wish to go. What we would like to understand is the nature of your life; what experiences you’ve had, what desires motivate you. Mine is a new field of study in which we try to understand the relationship between one’s upbringing and the Skill they eventually manifest, with the goal of manipulating the process towards specific abilities. Unlike my colleagues, my focus is on intelligent creatures from other worlds. By making comparisons to the vast collection of observations on rissians, I have built several new theories. Outworlders like you are the only ones we can be sure gained their Skills with no cultural knowledge of what Skills are.”
Clarice led me around a corner and a tall, oddly shaped building came into view. It sort of looked like five or six interconnected buildings. A central, circular tower was the tallest, with others branching off almost like the arms of an octopus. The multi-faceted tower had windows where I could see brief blips of movement from people working under artificial light, even at this late hour. Each arm of the metaphorical octopus appeared to be painted a different color—black, white, blue, red, yellow—though I could only see parts of the structure where light shone out from the windows.
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“So, am I basically a control group?” I asked Clarice. She turned her head slightly to look at me.
Clarice raised a single, precisely manicured eyebrow at my statement. “You know of control groups?” she asked. “Define them.”
“What? You don’t think I know what that is? You’re studying how knowing certain things can affect the Skill someone develops, right? So I didn’t know anything. That means you can make what you learn about me a sort of baseline for whatever you do to other people.”
“A crude analogy, but not entirely inaccurate. Where did you learn these principles?”
“That’s a pretty basic part of the scientific method. That’s right up there with the placebo effect for things that are just common knowledge. I think I probably learned about it in high school.”
“Interesting,” Clarice said. “You remind me of Brookie. I think I will enjoy conducting your interview tomorrow.”
“Who’s Brookie?”
“The only other ogre Mr. Gaze has brought us who was able to string together more than a single coherent sentence. I will tell him about you. But that will come tomorrow. We have reached the campus and I would like to get you settled in the room you will be staying in. We will be in the blue wing.” The buildings of the city came to an abrupt end as we passed under an archway. Smooth concrete became a well-worn dirt footpath through a lawn of trimmed yellow grass. The main path we entered the campus on continued straight to the central tower. Clarice turned us onto a branching path that led right, towards the base of one of the attached L-shaped arms of the enormous building. The bits of the building I could see were painted blue.
Clarice led me to an outbuilding. It was tucked up against the back side of the blue branch of the university’s tower. It almost looked to me like a disused tool shed.
“Here we are,” Clarice said, stopping before it. “I had these quarters specially made to accommodate ogres. They will be… large for you.”
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“Looks that way,” I said, looking up at the door. It was practically just a hinge that pulled away the entire face of the building.
“Some ogres are taller than others. You are the smallest we’ve had, by some measure. Brookie was the smallest before you. I will be interested to see what correlations we can draw from your size.”
“How many ogres have you studied from Ferrith?” I asked, mostly out of curiosity.
“You will be the ninth,” Clarice said. “Though you will only be the seventh we’ll be able to gather useful data from.”
“How come?” I asked. “What was wrong with the other two?” The way she said it made me wonder if I should be worried for my safety—like maybe they had died from one of her experiments.
Instead of answering, Clarice pushed past me to pull open the door to the oversized concrete shack. Inside was the more enormous bed I’d ever seen. It was easily bigger than my entire room had been back at home. “Go on,” she said. “You can sleep here for the night. I will send someone to get you breakfast in the morning, so if you get hungry, don’t eat the grass. The groundskeepers are getting very impatient about that.”
“Is that what happened to the two ogres you couldn’t study?” I asked, knowing it wasn’t true, but hoping to provoke her into correcting me. “They ate some grass, and you had to send them away?”
Clarice stared at me for a second before answering. She didn’t sigh or hum to herself, or look me up and down. She just stood as still as a statue while she thought about something for a second. “I see,” she said. “You think you are clever? Very well, I will tell you what happened to them. They came to us too traumatized to be of any use.”
“Traumatized?” I repeated. “Traumatized from what?”
“From experiences they suffered before arriving here,” Clarice said. “We had nothing to do with it and would not condone it if we did. The problem has been corrected. You are safe here.”
I narrowed my eyes at the taller woman. “There’s something you’re not telling me,” I said. “I’ve dealt with enough of that since I got to this world. Out with it. Or I won’t agree to work on your stupid study.”
“Hmm,” she hummed. “I am surprised you do not already suspect.”
“Suspect what? Obviously, if I did, we wouldn’t be having this conversation.”
“It is Mr. Gaze. You traveled with him; did anything about him seem… off?”
“I’m not playing twenty questions. Just tell me what this has to do with a couple of traumatized ogres.”
“I can try to tell you, but you might not have a word for it in your language. Do you know what a psychopath is?”
My jaw dropped. “He’s a psychopath!?”
“He is,” Clarice confirmed, “which is why I make sure to pay him an obscene amount of money to deliver intelligent ogres to me unharmed. Otherwise, he will torture them for fun. Often to death.”
I blinked. “Oh. Are you sure about that? He seemed nice to me. He even helped me one time when he didn’t have to.” Even as I spoke the words, I realized they rang false when accounting for the new information about Ferrith getting paid to deliver me to Clarice. Maybe to him saving me from execution had just been about cashing in on a payday.
“I am as certain of Mr. Gaze’s condition as I am about the doubt you are currently feeling. My Skill allows me to sense the emotions of others. He pretends frighteningly well, but to him, it is only an act. Inside there is nothing.”
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Sword System Academia
2/17 NOTICE: I'm putting this on hiatus, possibly permanently. I didn't want to spam with an "update chapter", so hopefully here and in the story blurb will get enough eyeballs. There are a couple reasons for ending SSA for now. 1) I wrote the next chapter but wasn't happy with it. I've been less and less satisfied with SSA's quality the more I thought about it. Part of the reason is... 2) I am seriously thinking about trying to publish some novels to help pay the bills, since I don't have my other source of income anymore. I have never asked for anything from SSA readers, no money, not even a review or rating. SSA is written for fun to amuse myself, primarily, and I would kind of feel bad actually charging someone money for something as unserious as that. I don't think it is good enough to ask anything in return. To use an analogy from music, SSA is more like a jam session with a bunch of friends. You're just chiling and having fun playing some music. I mean, if you are Mozart or even Eminem, your jam session is good enough to sell, but for an amateur beginner like myself, haha, no. If I want to publish something, I feel like I need to go the proper route of practice and rehearsals, which might be more similar to a classical concert performance. With SSA, I work from worldbuilding notes and a loose outline, but what you are essentially getting is the first draft with lots of so-called pantsing. Pushing out a web novel like this also means it is very difficult to go back and improve things without breaking everything else downstream. I wanted to try this "jamming" approach, as it was a good way to teach me about another aspect of writing, but to move forward, I think I need to hone my "classical" techniques, which emphasize rewriting, or at least, revising outlines. 3) While I intend to try to make $$$, my actual current goal is to "get gud". I've spent a lot of time recently trying to understand the self-publishing industry, and I'm pretty sure I can make some money by using short-term strategies with my current amateur skill level. But I've seen too many authors come and go/burnout, and really, the only way that I think I can enjoy writing and still make money on a long-term basis is to become a better writer. And the next step for me, which I haven't done much before, is to spend more time on rewriting and outlines. That is pretty much antithetical to the way SSA is developing. I've always been kind of 20/80 plotting/pantsing, but I want to spend a lot more time outlining before I even start writing. SSA jam sessions don't really fit my goal anymore. If you're curious about what's next, read on... Among other regrets, I regret not finishing SSA. It's the first story I've dropped, but then again, it's the first web novel I've attempted, so I suppose that's not a surprise. I don't think traditional web novel formats suit me that well. The whole SSA story I had loosely planned (beyond a first book or major arc) is way too large as well. Big story = good for neverending webnovel with Patreons, bad for penniless and fickle writer like me. I am currently outlining a complete trilogy to another story in great detail. I want the story to end concisely, and I also want the chance to really spend a lot of time on the full outline to spot pacing problems, character issues, lost themes, and so on. I'll still share this story on RR. What I intend to do is finish book 1, flash-publish the whole thing here for a few weeks, then publish on the big Zon. Repeat for books 2 and 3. The upcoming story will be about crafting heroes. The backdrop is an isekai-like setting, where elves will summon humans to their world as heroes, but the whole hero crafting business is still in its infancy. The elven mage researchers are figuring out how to imbue heroes with power, while the heroes are trying to figure out how to use the powers that they gain. Humans are the best hero templates because they are blank and have no intrinsic magic. Or at least that what the elves thought. The human MC has his own secrets... There will be some similarities with litrpgs, but I would call it more a progression fantasy or gamelit story. For example, the stats are very low, at least initially. Say we have a stat called Str. Going from Str = 1 to Str = 2 is a huge deal. Also, going from Dex = 0 to Dex = 1 is an even bigger deal. I guess you could call it a "low-stat litrpg", haha. Also, the heroes won't be gaining stats simply by killing things or leveling up. You can't increase stats arbitrarily, either. There will be rules to how stats can increase, and how they work with each other. The elven mages will be figuring out these rules in order to craft stronger and stronger heroes. Some inspiration will be from cultivation magic systems, but there won't be overt cultivation, at least for now. A theme I really want to explore is the idea of interactions. That includes things like hero crafter vs hero, tactics vs strategy, skill synergies, racial interactions (dwarves, elves, etc), and son. Yeah, so hero crafting. I'm super excited about this project and venturing into publishing. If you want to check out the upcoming story, you can follow my RR author profile to see when it drops here. Finally... THANK YOU TO EVERYONE! I'm very sorry that SSA is stopping, but I hope at least some of you will find the next story at least as enjoyable, if not more. Thanks to all the readers who gave SSA a shot. Big hug or solid fistbump to all of you, whichever you prefer! I hope this message is not a downer but an upper, because I am psyched!! -purlcray -------------- BLURB: Talen, youngest Master of the Koroi, makes his way to the Empire's capital to salvage his clan's fate. But the bustling city has few opportunities for the traditionalist. For the old sword clans are fading. With the rise of alchemy, gold can purchase strength that ordinarily took years of training to cultivate. Sword artists, once rare and accomplished, are quickly growing in number, especially among the wealthy noble class. Even with such alchemy, though, no one has advanced to the rank of Grandmaster in countless years. Talen's true dream is to walk the path of a sword artist to the very end while fulfilling his clan duties. And then the Swordgeists return, fabled founders of all sword arts, gods who had touched the world long ago and vanished. These myths turned into reality warn of a coming threat. Alongside this warning, they issue an invitation to the Sword System Academy, a path to power beyond the mortal realm. But first, they will hold an entrance exam... Story notes:Sword System Academia blends elements of western and asian fantasy such as xianxia and litrpg. I took parts from different genres I enjoyed and twisted them into my own creation. There will be an explicit system, both of the litrpg kind and the hard(ish) magic kind, but it is embedded within an academic structure that will develop over the course of the story. This is my attempt to design a unique type of system, the System Academia.
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