《Mundane Musings of a Misunderstood Mind》CHAPTER 110
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I shed my vulnerabilities, pain, guilt and disappointments like old, worn-out garments. Naked, I stepped over them towards the waterfall, baptizing myself with nature as my witness. On the other side, I stepped out and donned my armor. Due to its unassuming appearance, you would have been easily fooled. However, its strength lay in its sheer determination, resilience, grit, patience and courage. There was no room for pity in this new space, and fear was not welcome. I thought, 'If it is a war that they want, then that is what they shall get. Get your game face on because, unfortunately for you, I have nothing more to lose.'
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Anton is a great-grandfather. He is living quite a happy life, despite his advanced age and declining health… until a group of cultivator bandits moves into the area. The nearby guardians of the area, the Order of Ninety-Nine Stars, are unable to track them down as they continue to ravage nearby towns. During one desperate winter Anton is out on a hunt when his family- his entire village- is killed or taken as slaves by the bandits. He lacks the strength to fight them, and he wasn’t even present for their arrival to die with his loved ones. At the pit of his despair, he wonders if he ever had any chance to change things. What could he even do? He cannot even pull his best bow, and his eyesight is failing. If he had been a cultivator… perhaps there might have been a chance, but he was decades- perhaps even most of his life- too late. Notes on cultivation levels: There are five general stages of cultivation, though the fifth is extremely rare. Each cultivation style might have their own name for the stages. 1. Body Tempering 2. Spirit Building/ occasionally System Creation (Ninety-Nine Stars) 3. Constellation Formation (Ninety-Nine Stars) 4. Life Transformation/Galaxy Construction (Ninety-Nine Stars) 5. Ascension Cover picture courtesy of gej302.
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All three of the great Greek Tragedians have written plays about the bloody chain of murder and revenge within the royal family of Argos. Yet theirs is in fact not a story of tragedy, but rather one of redemption. As they move from darkness to light, from rage to self-governance, from primitive ritual to civilized institution, their spirit of struggle and regeneration becomes an everlasting song of celebration to be heard throughout the ages. Forming a discourse set against the emergence of Athenian democracy out of a period of chaos and destruction, the Orestian plays are compelling stories of the tensions between our obligations to our families and the laws that bind us together as a society. In the beginning, we witness how a king’s decision to sacrifice his daughter and turn the tide of war inflicts lasting damage on his family, culminating in a terrible act of retribution. In the aftermath of regicide, we behold how a son must set out to avenge his father’s death by committing a most egregious sin. In the end, the sinner is tormented by supernatural powers that can never be appeased, but ultimately finds redemption and ends the curse on his house once and for all. Woven through all of this is the story of a friendship so close that it elevates itself to brotherhood - Where the blood of the covenant is shown to be indeed thicker than the water of the womb. In this very brief twelve-chapter modern rendition of the Orestian plays, I have chosen to place my focus mainly on the lives of the characters Orestes and his best friend Pylades. The chapters, each around 2000-2500 words, are split up evenly between them in first-person narrative. I hope that you will come to enjoy reading this heartwarming story, but more importantly, that you see how the conflicts portrayed in the story, whether human or institutional, are still much very relevant to our societies today. Note on Sources: The details of this story is very loosely based on The Oresteia by Aeschylus. And I mean very loosely. Other sources that I referenced for detail and inspiration are Mythology by Edith Hamilton, Electra by Sophocles, and Iphigenia in Tauris by Euripides. You may also find that I have quoted some of these works, and others (such as Shelley's Ozymondaeus), without citations (average of 1-2 such quotes per chapter). I did this because I do not have the ability to describe certain scenes nearly as well as some of those writers. If you read a particularly beautiful piece of prose here, chances are it's probably stolen lol. Also, I wrote this during the summer between my high school senior year and my college freshmen year. It was the summer of 2020, and being quarantined apparently gets my creative side out lol.
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THE WHITE ROSE PAINTED WITH BLOOD
[ poetry story / teen fiction ] : about teens, who were afraid. NOTE : feel free to skip the entirety of book i ; autumn and jump straight to book ii ; winter // © 2021-2022 @uranium-girl
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