《Your Guide to Writing a Killer Thriller》General Writing Tips [3] - Do's and Dont's
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This column will get expanded after every contest. It contains our findings and feedback, to help you improve your writing skills. After each contest, we'll update with issues we saw - or things we LIKED, so make sure to check this out. Without further ado, here it comes.
1 - By all means, use the THREE_ACT-STRUCTURE, it made a huge difference to the quality of the stories!
2 - When using DESCRIPTIONS, be sure to use ALL senses. A lot of you rely on the visuals. The story that won the "Descriptiveness" contest featured somebody locked in the dark. That made for a heck of a read. Now, you don't all have to run and base your stories in unlit rooms. Just be aware there are more senses that can draw your readers in. Touch, Taste, Hearing, Smell. To elegantly weave ALL of them into a story makes for the best reader experience. You want them to be THERE. That means you need to have them breathe in the stink of a dead body, touch the rough wall until they suddenly hit something wet, something sticky .... And suddenly there is a soft hush of breath behind your character, something that wasn't there before. Moving her hair, raising little goosebumps on her bare arms... Okay, that sort of thing right?
3- Edit. Please edit your stories. We won't throw the grammar book at you, but if there are too many tense slips, commas gone AWOL (or wild), spelling blitzing all over the place, then we will have to mark you down. Go through, give it your best shot and you're fine. Tip: Write your story and let it marinate for a day. Then go back to it and check once more. You'll find more bloopers that way.
1 - STORY QUESTION: Answering the story question is important. Without that, you don't get closure. But if your story question is "Was this person murdered?" then you cannot just end on pointing out that, yes, it was murder. You need CONTEXT. You need to give us the why and how and who. Especially readers of mystery want to know exactly what happened, why it happened - and whether they have guessed it right. So you need to satisfy this reader curiosity on top of answering your question. Very often, there is more than one question. You have a big one "Was it murder or not?" And that leads to other questions "Who was the murderer? Why did he/she commit the crime? (motive) What exactly did he/she do and how?" Don't forget those, or you have some rather peeved readers. Or judges.... XD
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2 - OVER DESCRIPTIVENESS: Just as a lack of description can conflict with reader immersion, over descriptiveness (also known as purple pose) can distract, or even overpower the plot. Balance is the key. You want the reader to be there, but you don't want to smother him with rampant or abstruse sentence constructs. Keep your setting and narrator in mind. A younger narrator expresses himself differently than a seasoned detective with years of experience.
3 - MISS THE PROMPT: If you do that, you're in trouble. Sorry. We plan our contests very carefully and if we say we want you to write a mystery then please don't give us a vampire love story. Read the contest description carefully and , if in doubt, ask. We'll always answer. But we have had a couple of cases where we got really cool entries - but we had to mark them down because of missed prompts. Don't let that be you!
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Old Riding Author Lunatic Asylum
Just off the A19, in the dark, incomprehensible lands known as Yorkshire, there lies a town. A town where shadow-silent alleys glint with the secret hunger of knives. Where blood soaks the chipboard window shutters of forsaken terraces stretching off into the night. Where the smog-choked air rattles with the depraved laughter echoing out from clubs that can only generously be described as post-apocalyptic. Well, that’s Middlesbrough. But down the A19 a bit (an impossibly long way down, actually) there lies another town: Raughnen, in the ancient, forgotten Old Riding. It is an equal match in muggery and thuggery alike. It also has magic spells and pointy wizard hats. And now, across the miles and across all sensibilities, a pretty nasty power (a magic one) calls out for its pretty nasty counterpart (a decidedly unmagic one): a proper sound Boro lad. Nothing good can come of it. This is a collection of one novella and four connected short stories: I. A Yorkshire Summoning II. Old Riding Day Trip (the novella) III. Heaven is a Parmo IV. Death on the 66 V. Death on the 257 In total, this comprises 34 chapters totalling around 35,000 words, so try not to worry. It will be over relatively quickly. There are three more short stories with more tenuous links to the core collection: Rush, Paper Round and Scenario 79: Sausage Fingers, all of which can be found in my collection Short Records of Misadventure. Reading these may allow you to make more sense of certain parts of the story, if any sense is to be made at all. NOTE: There are instances of prejudice and discrimination within these stories, including elements of sexism and ageism, which are purely the thoughts and actions of the characters involved and which certainly do not reflect my own views on these matters. ANOTHER NOTE; A WARNING, PERHAPS: This can get a bit weird. In less than 150 pages, we have four viewpoints, first and third person narratives, and a completely disjointed plot with lots of gaps, dead ends and no real resolution. Also ZERO lunatic asylums. It's all a bit odd. If that sort of thing isn't your cup of tea, which it most likely isn't, it might be best to move on now.
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Poems with simple words and delicate meanings
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