You see, Hilda,' said Connie after lunch, when they were nearing London, 'you have never known either real tenderness or real sensuality: and if you do know them, with the same person, it makes a great difference.'

'For mercy's sake don't brag about your experiences!' said Hilda. 'I've never met the man yet who was capable of intimacy with a woman, giving himself up to her. That was what I wanted. I'm not keen on their self-satisfied tenderness, and their sensuality. I'm not content to be any man's little petsy-wetsy, nor his chair à plaisir either. I wanted a complete intimacy, and I didn't get it. That's enough for me.

Connie pondered this. Complete intimacy! She supposed that meant revealing everything concerning yourself to the other person, and his revealing everything concerning himself. But that was a bore. And all that weary self-consciousness between a man and a woman! a disease!

'I think you're too conscious of yourself all the time, with everybody,' she said to her sister.

'I hope at least I haven't a slave nature,' said Hilda.

'But perhaps you have! Perhaps you are a slave to your own idea of yourself.'

Hilda drove in silence for some time after this piece of unheard of insolence from that chit Connie.

'At least I'm not a slave to somebody else's idea of me: and the somebody else a servant of my husband's,' she retorted at last, in crude anger.

'You see, it's not so,' said Connie calmly.

She had always let herself be dominated by her elder sister. Now, though somewhere inside herself she was weeping, she was free of the dominion of other women. Ah! that in itself was a relief, like being given another life: to be free of the strange dominion and obsession of other women. How awful they were, women!

She was glad to be with her father, whose favourite she had always been. She and Hilda stayed in a little hotel off Pall Mall, and Sir Malcolm was in his club. But he took his daughters out in the evening, and they liked going with him.

He was still handsome and robust, though just a little afraid of the new world that had sprung up around him. He had got a second wife in Scotland, younger than himself and richer. But he had as many holidays away from her as possible: just as with his first wife.

Connie sat next to him at the opera. He was moderately stout, and had stout thighs, but they were still strong and well-knit, the thighs of a healthy man who had taken his pleasure in life. His good-humoured selfishness, his dogged sort of independence, his unrepenting sensuality, it seemed to Connie she could see them all in his well-knit straight thighs. Just a man! And now becoming an old man, which is sad. Because in his strong, thick male legs there was none of the alert sensitiveness and power of tenderness which is the very essence of youth, that which never dies, once it is there.

Connie woke up to the existence of legs. They became more important to her than faces, which are no longer very real. How few people had live, alert legs! She looked at the men in the stalls. Great puddingy thighs in black pudding-cloth, or lean wooden sticks in black funeral stuff, or well-shaped young legs without any meaning whatever, either sensuality or tenderness or sensitiveness, just mere leggy ordinariness that pranced around. Not even any sensuality like her father's. They were all daunted, daunted out of existence.

But the women were not daunted. The awful mill-posts of most females! really shocking, really enough to justify murder! Or the poor thin pegs! or the trim neat things in silk stockings, without the slightest look of life! Awful, the millions of meaningless legs prancing meaninglessly around!

But she was not happy in London. The people seemed so spectral and blank. They had no alive happiness, no matter how brisk and good-looking they were. It was all barren. And Connie had a woman's blind craving for happiness, to be assured of happiness.

In Paris at any rate she felt a bit of sensuality still. But what a weary, tired, worn-out sensuality. Worn-out for lack of tenderness. Oh! Paris was sad. One of the saddest towns: weary of its now-mechanical sensuality, weary of the tension of money, money, money, weary even of resentment and conceit, just weary to death, and still not sufficiently Americanized or Londonized to hide the weariness under a mechanical jig-jig-jig! Ah, these manly he-men, these flaneurs, the oglers, these eaters of good dinners! How weary they were! weary, worn-out for lack of a little tenderness, given and taken. The efficient, sometimes charming women knew a thing or two about the sensual realities: they had that pull over their jigging English sisters. But they knew even less of tenderness. Dry, with the endless dry tension of will, they too were wearing out. The human world was just getting worn out. Perhaps it would turn fiercely destructive. A sort of anarchy! Clifford and his conservative anarchy! Perhaps it wouldn't be conservative much longer. Perhaps it would develop into a very radical anarchy.

Connie found herself shrinking and afraid of the world. Sometimes she was happy for a little while in the Boulevards or in the Bois or the Luxembourg Gardens. But already Paris was full of Americans and English, strange Americans in the oddest uniforms, and the usual dreary English that are so hopeless abroad.

She was glad to drive on. It was suddenly hot weather, so Hilda was going through Switzerland and over the Brenner, then through the Dolomites down to Venice. Hilda loved all the managing and the driving and being mistress of the show. Connie was quite content to keep quiet.

And the trip was really quite nice. Only Connie kept saying to herself: Why don't I really care! Why am I never really thrilled? How awful, that I don't really care about the landscape any more! But I don't. It's rather awful. I'm like Saint Bernard, who could sail down the lake of Lucerne without ever noticing that there were even mountain and green water. I just don't care for landscape any more. Why should one stare at it? Why should one? I refuse to.

No, she found nothing vital in France or Switzerland or the Tyrol or Italy. She just was carted through it all. And it was all less real than Wragby. Less real than the awful Wragby! She felt she didn't care if she never saw France or Switzerland or Italy again. They'd keep. Wragby was more real.

As for people! people were all alike, with very little difference. They all wanted to get money out of you: or, if they were travellers, they wanted to get enjoyment, perforce, like squeezing blood out of a stone. Poor mountains! poor landscape! it all had to be squeezed and squeezed and squeezed again, to provide a thrill, to provide enjoyment. What did people mean, with their simply determined enjoying of themselves?

No! said Connie to herself I'd rather be at Wragby, where I can go about and be still, and not stare at anything or do any performing of any sort. This tourist performance of enjoying oneself is too hopelessly humiliating: it's such a failure.

She wanted to go back to Wragby, even to Clifford, even to poor crippled Clifford. He wasn't such a fool as this swarming holidaying lot, anyhow.

But in her inner consciousness she was keeping touch with the other man. She mustn't let her connexion with him go: oh, she mustn't let it go, or she was lost, lost utterly in this world of riff-raffy expensive people and joy-hogs. Oh, the joy-hogs! Oh 'enjoying oneself'! Another modern form of sickness.

They left the car in Mestre, in a garage, and took the regular steamer over to Venice. It was a lovely summer afternoon, the shallow lagoon rippled, the full sunshine made Venice, turning its back to them across the water, look dim.

At the station quay they changed to a gondola, giving the man the address. He was a regular gondolier in a white-and-blue blouse, not very good-looking, not at all impressive.

'Yes! The Villa Esmeralda! Yes! I know it! I have been the gondolier for a gentleman there. But a fair distance out!'

He seemed a rather childish, impetuous fellow. He rowed with a certain exaggerated impetuosity, through the dark side-canals with the horrible, slimy green walls, the canals that go through the poorer quarters, where the washing hangs high up on ropes, and there is a slight, or strong, odour of sewage.

But at last he came to one of the open canals with pavement on either side, and looping bridges, that run straight, at right-angles to the Grand Canal. The two women sat under the little awning, the man was perched above, behind them.

'Are the signorine staying long at the Villa Esmeralda?' he asked, rowing easy, and 'wiping his perspiring face with a white-and-blue handkerchief.

'Some twenty days: we are both married ladies,' said Hilda, in her curious hushed voice, that made her Italian sound so foreign.

'Ah! Twenty days!' said the man. There was a pause. After which he asked: 'Do the signore want a gondolier for the twenty days or so that they will stay at the Villa Esmeralda? Or by the day, or by the week?'

Connie and Hilda considered. In Venice, it is always preferable to have one's own gondola, as it is preferable to have one's own car on land.

'What is there at the Villa? what boats?'

'There is a motor-launch, also a gondola. But — ' The but meant: they won't be your property.

'How much do you charge?'

It was about thirty shillings a day, or ten pounds a week.

'Is that the regular price?' asked Hilda.

'Less, Signora, less. The regular price — '

The sisters considered.

'Well,' said Hilda, 'come tomorrow morning, and we will arrange it. What is your name?'

His name was Giovanni, and he wanted to know at what time he should come, and then for whom should he say he was waiting. Hilda had no card. Connie gave him one of hers. He glanced at it swiftly, with his hot, southern blue eyes, then glanced again.

'Ah!' he said, lighting up. 'Milady! Milady, isn't it?'

'Milady Costanza!' said Connie.

He nodded, repeating: 'Milady Costanza!' and putting the card carefully away in his blouse.

The Villa Esmeralda was quite a long way out, on the edge of the lagoon looking towards Chioggia. It was not a very old house, and pleasant, with the terraces looking seawards, and below, quite a big garden with dark trees, walled in from the lagoon.

Their host was a heavy, rather coarse Scotchman who had made a good fortune in Italy before the war, and had been knighted for his ultrapatriotism during the war. His wife was a thin, pale, sharp kind of person with no fortune of her own, and the misfortune of having to regulate her husband's rather sordid amorous exploits. He was terribly tiresome with the servants. But having had a slight stroke during the winter, he was now more manageable.

The house was pretty full. Besides Sir Malcolm and his two daughters, there were seven more people, a Scotch couple, again with two daughters; a young Italian Contessa, a widow; a young Georgian prince, and a youngish English clergyman who had had pneumonia and was being chaplain to Sir Alexander for his health's sake. The prince was penniless, good-looking, would make an excellent chauffeur, with the necessary impudence, and basta! The Contessa was a quiet little puss with a game on somewhere. The clergyman was a raw simple fellow from a Bucks vicarage: luckily he had left his wife and two children at home. And the Guthries, the family of four, were good solid Edinburgh middle class, enjoying everything in a solid fashion, and daring everything while risking nothing.

Connie and Hilda ruled out the prince at once. The Guthries were more or less their own sort, substantial, but boring: and the girls wanted husbands. The chaplain was not a bad fellow, but too deferential. Sir Alexander, after his slight stroke, had a terrible heaviness his joviality, but he was still thrilled at the presence of so many handsome young women. Lady Cooper was a quiet, catty person who had a thin time of it, poor thing, and who watched every other woman with a cold watchfulness that had become her second nature, and who said cold, nasty little things which showed what an utterly low opinion she had of all human nature. She was also quite venomously overbearing with the servants, Connie found: but in a quiet way. And she skilfully behaved so that Sir Alexander should think that he was lord and monarch of the whole caboosh, with his stout, would-be-genial paunch, and his utterly boring jokes, his humourosity, as Hilda called it.

Sir Malcolm was painting. Yes, he still would do a Venetian lagoonscape, now and then, in contrast to his Scottish landscapes. So in the morning he was rowed off with a huge canvas, to his 'site'. A little later, Lady Cooper would he rowed off into the heart of the city, with sketching-block and colours. She was an inveterate watercolour painter, and the house was full of rose-coloured palaces, dark canals, swaying bridges, medieval facades, and so on. A little later the Guthries, the prince, the countess, Sir Alexander, and sometimes Mr Lind, the chaplain, would go off to the Lido, where they would bathe; coming home to a late lunch at half past one.

The house-party, as a house-party, was distinctly boring. But this did not trouble the sisters. They were out all the time. Their father took them to the exhibition, miles and miles of weary paintings. He took them to all the cronies of his in the Villa Lucchese, he sat with them on warm evenings in the piazza, having got a table at Florian's: he took them to the theatre, to the Goldoni plays. There were illuminated water-fêtes, there were dances. This was a holiday-place of all holiday-places. The Lido, with its acres of sun-pinked or pyjamaed bodies, was like a strand with an endless heap of seals come up for mating. Too many people in the piazza, too many limbs and trunks of humanity on the Lido, too many gondolas, too many motor-launches, too many steamers, too many pigeons, too many ices, too many cocktails, too many menservants wanting tips, too many languages rattling, too much, too much sun, too much smell of Venice, too many cargoes of strawberries, too many silk shawls, too many huge, raw-beef slices of watermelon on stalls: too much enjoyment, altogether far too much enjoyment!

Connie and Hilda went around in their sunny frocks. There were dozens of people they knew, dozens of people knew them. Michaelis turned up like a bad penny. 'Hullo! Where you staying? Come and have an ice-cream or something! Come with me somewhere in my gondola.' Even Michaelis almost sun-burned: though sun-cooked is more appropriate to the look of the mass of human flesh.

It was pleasant in a way. It was almost enjoyment. But anyhow, with all the cocktails, all the lying in warmish water and sunbathing on hot sand in hot sun, jazzing with your stomach up against some fellow in the warm nights, cooling off with ices, it was a complete narcotic. And that was what they all wanted, a drug: the slow water, a drug; the sun, a drug; jazz, a drug; cigarettes, cocktails, ices, vermouth. To be drugged! Enjoyment! Enjoyment!

Hilda half liked being drugged. She liked looking at all the women, speculating about them. The women were absorbingly interested in the women. How does she look! what man has she captured? what fun is she getting out of it? — The men were like great dogs in white flannel trousers, waiting to be patted, waiting to wallow, waiting to plaster some woman's stomach against their own, in jazz.

Hilda liked jazz, because she could plaster her stomach against the stomach of some so-called man, and let him control her movement from the visceral centre, here and there across the floor, and then she could break loose and ignore 'the creature'. He had been merely made use of. Poor Connie was rather unhappy. She wouldn't jazz, because she simply couldn't plaster her stomach against some 'creature's' stomach. She hated the conglomerate mass of nearly nude flesh on the Lido: there was hardly enough water to wet them all. She disliked Sir Alexander and Lady Cooper. She did not want Michaelis or anybody else trailing her.

The happiest times were when she got Hilda to go with her away across the lagoon, far across to some lonely shingle-bank, where they could bathe quite alone, the gondola remaining on the inner side of the reef.

Then Giovanni got another gondolier to help him, because it was a long way and he sweated terrifically in the sun. Giovanni was very nice: affectionate, as the Italians are, and quite passionless. The Italians are not passionate: passion has deep reserves. They are easily moved, and often affectionate, but they rarely have any abiding passion of any sort.

So Giovanni was already devoted to his ladies, as he had been devoted to cargoes of ladies in the past. He was perfectly ready to prostitute himself to them, if they wanted him: he secretly hoped they would want him. They would give him a handsome present, and it would come in very handy, as he was just going to be married. He told them about his marriage, and they were suitably interested.

He thought this trip to some lonely bank across the lagoon probably meant business: business being l'amore, love. So he got a mate to help him, for it was a long way; and after all, they were two ladies. Two ladies, two mackerels! Good arithmetic! Beautiful ladies, too! He was justly proud of them. And though it was the Signora who paid him and gave him orders, he rather hoped it would be the young milady who would select hint for l'amore. She would give more money too.

The mate he brought was called Daniele. He was not a regular gondolier, so he had none of the cadger and prostitute about him. He was a sandola man, a sandola being a big boat that brings in fruit and produce from the islands.

Daniele was beautiful, tall and well-shapen, with a light round head of little, close, pale-blond curls, and a good-looking man's face, a little like a lion, and long-distance blue eyes. He was not effusive, loquacious, and bibulous like Giovanni. He was silent and he rowed with a strength and ease as if he were alone on the water. The ladies were ladies, remote from him. He did not even look at them. He looked ahead.

He was a real man, a little angry when Giovanni drank too much wine and rowed awkwardly, with effusive shoves of the great oar. He was a man as Mellors was a man, unprostituted. Connie pitied the wife of the easily-overflowing Giovanni. But Daniele's wife would be one of those sweet Venetian women of the people whom one still sees, modest and flower-like in the back of that labyrinth of a town.

Ah, how sad that man first prostitutes woman, then woman prostitutes man. Giovanni was pining to prostitute himself, dribbling like a dog, wanting to give himself to a woman. And for money!

Connie looked at Venice far off, low and rose-coloured upon the water. Built of money, blossomed of money, and dead with money. The money-deadness! Money, money, money, prostitution and deadness.