《မောင့်ကိုချစ်ဖို့ မွေးဖွားလာပါသည်။》🌈၁၀🌈(Z)
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ကိဝီအေနာက္ လူလြတ္၍ စုံစမ္းခိုင္းထားသည္။ ရဝိန္လက္ထဲမွ ကိဝီ၏ဓာတ္ပုံကိုၾကည္ၿပီး စိတ္မခ်ႏိုင္ေသာစိတ္တို႔ ပိုရျပန္၏။ ကိဝီသည္ ပိုေခ်ာ၊ ပိုလွလာသည္အျပင္ အရပ္ႀကီးလည္း အားကိုးခ်င္စဖြယ္ေကာင္းေအာင္ ပိုရွည္လာသည္။
" ဘာေတြၿပဳံးေနတာလဲ ငါ့သား "
သားျဖစ္သူၿပဳံးၾကည္ေနေသာဓာတ္ပုံကို ေဒၚမဒီ ဆြဲယူၾကည္လိုက္ၿပီး
" ေတာ္ေတာ္လွတာပဲ၊ သားႀကိဳက္တဲ့ ေကာင္ေလးလား "
ရဝိန္ေခါင္းညိတ္ၿပီး အေျဖျပန္ေပးလိုက္လွ်င္ ေဒၚပ်ိဳမဒီ ဆက္ေျပာလာသည္။
" ႀကိဳက္ရင္ ရေအာင္လိုက္၊ လက္မေႏွးနဲ႔ ငါ့သား၊ သူမ်ားေနာက္ပါသြားမွျဖင့္ သိတယ္မလား "
ေဒၚ မဒီသည္ ဓာတ္ပုံကို ရဝိန္မ်က္ႏွာေဘး တိုးကပ္၍ ယွဥ္ၾကည္လိုက္သည္။
" ငါ့သားက အညိဳဆင္၊ သူက အင္း...၊ ေခ်ာက လက္နဲ႔ႏို႔က လိုက္ဖက္တယ္ perfect "
ေခါင္းတညိတ္ညိတ္ႏွင့္ ေရခဲေသတၱာသြားဖြင့္ေန သည္ မိခင္ျဖစ္သူကို ရဝိန္လွမ္းၾကည္၍ ခိုင္မာ ေသာ ဆုံးျဖတ္ခ်က္ခ်တစ္ခုကိုခ်လိုက္သည္။
" ဒီရက္ပိုင္းေစာင့္ၾကည္ခံေနရတယ္လို႔၊ ငါ့ခံစားမိေနတယ္ "
" စိတ္ထင္လို႔ပါ မေဝ "
" ငါတို႔ ဒီမွာ "
ဆိုင္ထဲဝင္လာေသာသက္ပိုင္ကို ကိဝီလက္ေလး လွမ္းျပလိုက္သည္။
ပူးကပ္ေနေသာ အေရွ႕ကေကာင္ေလးႏွစ္ေယာက္ ကို မ်က္ႏွာခ်င္းဆိုင္ရွိ စားပြဲတစ္ခ်ပ္စီမွ အဝတ္အလုံ႔ပိတ္ ေခါင္းစြပ္အက်ႌဝတ္၍ မ်က္မွန္ႀကီးမ်ားတပ္ထားေသာလူႏွစ္ေယာက္သည္ ေစာင့္ၾကည္ေနေလ၏။
" ကိဝီ ဒီဘက္နားနည္းနည္းထပ္တိုးလာ "
" ဘာလို႔လဲ သက္ပိုင္ "
" အေရွ႕က စားပြဲကိုမသိမသာၾကည္လိုက္၊ ငါတို႔ကို ေစာင့္ၾကည္ေနသလို႔ပဲ၊ ဘယ္က ကေလက ေခ်ေကာင္ေတြလည္း မသိဘူး "
သူဇာေဝလည္း တိုးတိုး တိုးတိုးႏွင့္ ေျပာေနၾကေသာ သက္ပိုင္တို႔အနားေခါင္းတိုးကပ္သြားလိုက္သည္။
" ဘာျဖစ္လို႔လဲ သက္ပိုင္ "
" ရွဴး တိုးတိုးေျပာ မေဝ၊ ေရွ႕ကို မသိမသာၾကည္လိုက္၊ ေတြ႕လား "
" ေတြ႕တယ္၊ ဘယ္လို႔လုပ္မလဲ "
ဒီေန႔ေတာ့ ရဝိန္ကိုယ္တိုင္ ကိဝီအေနာက္ ႐ုပ္ဖ်က္ ၍ လိုက္ေခ်ာင္းျဖစ္သည္။ ကိဝီတို႔ cake ဆိုင္တစ္ဆိုင္ထဲဝင္သြား၍ ရဝိန္လည္း ေနာက္မွ
လိုက္ဝင္လိုက္သည္။ ေစာင့္ၾကည္ေနခ်ိန္ ထပ္ေရာက္လာသူသည္ သက္ပိုင္ျဖစ္ေန၍ ရဝိန္အ နည္းငယ္အံ့ၾသသြားရသည္။ သက္ပိုင္သည္
ငေနာင္မသိေအာင္ လစ္ထြက္လာပုံပင္။ မၾကာပါ ေခါင္းသုံးလုံးပူး၍ တိုးတိုး တိုးတိုးႏွင့္ ေျပာေနၾက၍ အေၾကာင္းအရာအား ရဝိန္မၾကားရေတာ့ေခ်။ ရဝိန္ အာ႐ုံစိုက္နားေထာင္ေနခ်ိန္ အလုပ္မွ ဖုန္းဝင္လာ၏။ အေရးႀကီးကိစၥျဖစ္ေန၍ ကိဝီတို႔စားပြဲထံတစ္ခ်က္ၾကည္ၿပီး အလုပ္ရွိရာသို႔ ျပန္ခဲ့လိုက္သည္။
႐ုပ္ဖ်က္ထားေသာ လူတစ္ေယာက္ထထြက္သြားၿပီးခါမွ ကိဝီတို႔လည္းျပန္ရန္အတြက္ ထလိုက္ၾကသည္။ ဘယ္လို႔ျဖစ္ျဖစ္ပါေလ။ အခုဆိုလွ်င္ သုံးေယာက္တစ္ေယာက္ပင္။ ဆက္လိုက္လာေသာ ထိုလူေၾကာင့္ ကိဝီ၊ သက္ပိုင္ႏွင့္ မေဝတို႔ သုံးဦး
လူရွင္းေသာလမ္းၾကားထဲသို႔ ခ်ိဳးဝင္လိုက္သည္။
စိုးသက္ေနာင္ ဝက္ကေလး၏အမူအရာကို
မသကၤာ၍ လိုက္ေခ်ာင္းရာမွ လမ္းၾကားေလး၌ ေပ်ာက္သြားသည္။ စိုးသက္ေနာင္ ဟိုဟိုဒီဒီ ရွာၾကည္ေနခ်ိန္ ေနာက္ေစ့ဆီမွ ပူထူမႈကို ခံစား လိုက္ရေလ၏။
" မေဝ သူေသၿပီးလား၊ ဘယ္လို႔လုပ္ၾကမလဲ "
" ရဲကိုအေၾကာင္းၾကားလိုက္ရမလား "
" ငါေထာင္မက်ခ်င္ဘူး ကိဝီ၊ ပစ္ထားခဲ့လိုက္
မလား"
" ပစ္ထားမွ ေသသြားရင္ေရာ "
" သယ္သြားမယ္ "
" ဘယ္လဲ ×2 "
" ငါ့ၿခံထဲကိုး "
ေနာက္ဆုံးမွာ ကိဝီ၏စိုက္ပ်ိဳးၿခံထဲ ေခၚသြားရန္ သေဘာတူလိုက္ၾကသည္။ ထို႔ေနာက္ လဲေနသူ၏ မ်က္ႏွာမွ mask ကိုခြၽတ္၊ sunglasses ကိုခြၽတ္လိုက္လွ်င္ သက္ပိုင္ႏႈတ္မွ အံ့ၾသသံထြက္လာေလသည္။
" စိုးေနာင္ ! "
" ဘယ္လို႔ ! နင္ေျပာေျပာေနတဲ့ စိုးေနာင္လား "
"ဟုတ္တယ္ ဟုတ္တယ္၊ အိမ္ျပန္ပို႔ေပးၾကအုန္း "
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- In Serial88 Chapters
War of Seasons
Dorothea Atlin is the young, apathetic leader of the neutral territory of Sirpo, a chilly land hovering above the continuously warring factions of Sacer and Ghuria, whose devastating magics have ravaged their people and lands time and time again. Following a shocking attack and a cruel deception, Dorothea grows her conscience and takes up arms, using her self-destructive ability to manipulate the flow of time to ensure Sacer’s victory. Her growing understanding of war and the two factions is guided by Iree Nobelis, the determined and enthralling commander of Sacer’s forces, Ariana Kingfisher, a steely swordswoman of mixed Ghurian and Sacerian descent, and Rhys Tamlin, a kind but haunted soldier who goes to challenge Dorothea’s self-imposed celibacy and join her on a mutual journey of healing from the tragic legacies of the Atlin family and wars between the nations. Meanwhile, Dorothea’s only friend and deserter from the Sacerian military, Shark Olyen, returns to their homeland to face the family that disowned them and finds more than they bargained for in meeting Cerid Creed, a noble whose duty to his people clashes with his desires in romance and in life, much like Shark’s did long before. As their developing or preexisting loves and differing convictions on how to achieve peace create rifts between these major players, Dorothea experiences a personal revolution that leads her to fight for what she believes is right, no matter the cost. A slow-burn story that takes time setting up the psychology and motivations of characters for explosive payoff later down the line. Cover by Ben Arisson, who is also a wonderful author on this website!
8 197 - In Serial28 Chapters
Kairos
Time travel is legal and Ada Blum is looking for love. But what happens when one of her charming bachelors from the past makes his way to the present? ***** Time travel isn't just possible, it's been legalized by the US government. Many industries have capitalized on the trend, including dating agencies. Now anyone can travel to the past for their own Regency romance or wild west affair-for the right price. Ada Blum is no exception. Often dubbed an old soul, Ada finally has the chance to explore relationships with men who are more up her alley. What she doesn't expect is for her new beau to be a part of the 1920s gang scene in New York. And when she smuggles him into the 21st century to keep him safe, all hell breaks loose. Jealous lovers and glitches in time make for deadly enemies, but can Ada have her happy love story after all?[[word count: 90,000-100,000 words]] Formerly "The Kairos Temporal Matchmaking Service."Cover designed by Lydia Carr
8 369 - In Serial24 Chapters
Bleeding Hearts
❝We almost made it.I almost called you 'mine,'And you almost called me 'yours,'I think we almost loved each other But the only thing I was sure about is thatalmost wasn't good enough.❞- Nautica Elaine Woods
8 60 - In Serial16 Chapters
I Was A Substitute
I've lived my life as everyone wanted me to, the perfect Young Miss. But I was only adopted to fill the vacancy of the real Duke's daughter. When the real Miss returned, they all turned their backs on me."If I had known this was going to happen, I wouldn't have let you in."I loved them dearly, but to them I was nothing but a substitute for a Young Miss."Should I tell you something before dying? Actually, I'm a fake too."
8 165 - In Serial29 Chapters
Fire on Fire
"This is so wrong ..." Emma breathed out against his lips when he pinned her up against the wall."Is it?" Alexander echoed, slipping his hands underneath her large sweater, grazing her lips."She's my friend ..." Emma argued weakly, albeit unwilling to push him off."Don't think about it." He merely replied, starting to nibble on her neck.As his lips nipped down on her sensitive skin, Emma let out a breathless moan and wrapped her arms around his shoulders, so that he could hook her legs around his torso, effectively seizing her in his arms. The walk to his bedroom was short, and before she could say anything, she found herself on his bed, him hovering over her. His every touch was inebriating, the way his lips knew exactly where to go in order for her to lose sight of her moral duties, the way his hands skillfully caressed every inch of her skin, as if savoring it in advance, was driving her insane. And when she met his fiery gaze, Emma knew she was doomed. She had no chance but to surrender to this devil that was tempting her, pushing her towards something that - she was well aware - would be difficult to give up on once set in motion.
8 100 - In Serial19 Chapters
Into My Heart An Air that Kills - Brahms Heelshire The Boy
This version has some changes in characterisation. Brahms is a little more human, and less psychotic, and Greta is now Laurie (due to copyright minimisation) is a little more vulnerable. The story begins 2 weeks into Laurie's employment, one day before the Heelshire's commit suicide, five days before her life is changed irrevocably. This story line explores how things might have been had Laurie and Brahms had time to get to know each other, and how Brahms reacts and responds to Laurie's more understanding approach to his situation. Brahms's monster is made .... can it be unmade? Contains sex and swearing.I have changed Cole to Joel, and Sandy to Amanda.
8 101
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